![]() ![]() ![]() Mix processing of vocal parts is also a culprit. The choice of mic can compound the problem, because bright mics are usually favoured for a forward‑sounding timbre, and the most commonly used design, the large‑diaphragm condenser, can have harsh‑sounding high‑frequency capsule resonances, especially in the case of budget models. For a start, the overwhelming preference for close‑miking vocals tends to highlight the noise components, and matters are often made worse if the vocal mic is positioned on the horizontal plane of the mouth, where sibilance is typically focused. Sibilant sounds (or sibilants for short) often pose technical problems in modern music, because a number of routine production decisions can conspire to emphasise them unnaturally. When we talk about sibilance in relation to a vocal recording, we're referring primarily to the 's' sounds noisy high‑frequency consonants created by the turbulence as air whistles through a singer's teeth. Songs suffering from superfluous sibilance? Study SOS's super strategies for sorting esses.
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